Last December, we walked through the red-brick corridors of the Alipore Jail Museum and entered an exhibition titled The Babu and the Bazaar: Art from 19th and Early 20th-Century Bengal. At first glance, it appeared to be a familiar archive of colonial Calcutta. It’s babus, courtesans, deities, print cultures, and bazaar economies. But in the …

Continue reading “Time as Capital, Time as Cosmos: Kalighat and the Politics of Waiting”